Misery by Anton Chekhov
The twilight of evening. Big flakes of wet snow are whirling lazily
about the street lamps, which have just been lighted, and lying in a
thin soft layer on roofs, horses' backs, shoulders, caps. Iona Potapov,
the sledge-driver, is all white like a ghost. He sits on the box without
stirring, bent as double as the living body can be bent. If a regular
snowdrift fell on him it seems as though even then he would not think it
necessary to shake it off.... His little mare is white and motionless
too. Her stillness, the angularity of her lines, and the stick-like
straightness of her legs make her look like a halfpenny gingerbread
horse. She is probably lost in thought. Anyone who has been torn away
from the plough, from the familiar gray landscapes, and cast into this
slough, full of monstrous lights, of unceasing uproar and hurrying
people, is bound to think.
It is a long time since Iona and his nag have budged. They came out of
the yard before dinnertime and not a single fare yet. But now the shades
of evening are falling on the town. The pale light of the street lamps
changes to a vivid color, and the bustle of the street grows noisier.
"Sledge to Vyborgskaya!" Iona hears. "Sledge!"
Iona starts, and through his snow-plastered eyelashes sees an officer in a military overcoat with a hood over his head.
"To Vyborgskaya," repeats the officer. "Are you asleep? To Vyborgskaya!"
In token of assent Iona gives a tug at the reins which sends cakes of
snow flying from the horse's back and shoulders. The officer gets into
the sledge. The sledge-driver clicks to the horse, cranes his neck like a
swan, rises in his seat, and more from habit than necessity brandishes
his whip. The mare cranes her neck, too, crooks her stick-like legs, and
hesitatingly sets off....
"Where are you shoving, you devil?" Iona immediately hears shouts from
the dark mass shifting to and fro before him. "Where the devil are you
going? Keep to the r-right!"
"You don't know how to drive! Keep to the right," says the officer angrily.
A coachman driving a carriage swears at him; a pedestrian crossing the
road and brushing the horse's nose with his shoulder looks at him
angrily and shakes the snow off his sleeve. Iona fidgets on the box as
though he were sitting on thorns, jerks his elbows, and turns his eyes
about like one possessed as though he did not know where he was or why
he was there.
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